Overview
The all-new D800 digital SLR camera will turn
your imagination into stunning still images and spectacular videos. With
its revolutionary 36.3 megapixels and the EXPEED3 image-processing
engine, the D800 is your ideal professional camera.
Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed. D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.
For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moiré pattern reduction operation performed by the optical low-pass filter.
Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed. D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.
For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moiré pattern reduction operation performed by the optical low-pass filter.
- Wide sensitivity range of ISO 100 to 6400, expandable to Lo 1 (ISO 50 equivalent) or Hi 2 (ISO 25600 equivalent).
- Further improved high-speed, multifunctional, high-performance image-processing engine EXPEED 3.
- 51-point AF system with enhanced performance in subject acquisition and focusing in low-light situations.
- Glass pentaprism viewfinder with approx. 100% frame coverage (FX format) and approx. 0.7x magnification.
- Approx. 921k-dot, wide-viewing angle, 8-cm (3.2-in.) LCD monitor with reinforced glass and automatic monitor brightness control.
- Newly developed shutter unit tested for over 200,000 cycles; shutter speed up to 1/8,000 s and flash synchronization up to 1/250 s.
- Continuous shooting at approx. 4 fps* (FX, 5:4) and approx. 5 fps* (1.2x, DX).
- MB-D12 Multi-Power Battery Pack (optional) that enables high-speed continuous shooting at approx. 6 fps* in DX format.
- The D800E is a unique alternative that realizes the sharpest images possible. [NEW]
Newly developed Nikon FX-format CMOS sensor with 36.3 effective megapixels
The D800/D800E employ a Nikon FX-format CMOS
sensor (35.9 x 24.0 mm) with 36.3 effective megapixels, the world's
highest number*. It renders texture, nuances and details equivalent to
those a high-end medium format camera can deliver.
Advanced Scene Recognition System with enhanced accuracy realized by 91K-pixel RGB sensor
Advanced Scene Recognition System realizes face
detection during optical viewfinder shooting. It achieves highly
accurate control of auto functions such as AF, AE and AWB utilizing face
detection information and detailed scene analysis information.
Multi-area mode Full HD D-Movie that enables a variety of expressions in two formats
It is possible to record 1,920 x 1,080/30p Full
HD and HD movies in either of two formats that are FX- and DX-based. You
can select the format according to your creative intentionsImage sensor
Nikon FX-format CMOS sensor with 36.3 effective megapixels
The D800/D800E render levels of
texture, nuance and detail to your photography that, until now, have
been the exclusive domain of the complicated medium-format system.
Define every eyelash, every line in tree bark, and every shimmer of
light. Savor the exceptional depth in your still images — with the
astounding 36.3 effective megapixels, the world's highest*, you can.
Enlarge them as big as A1 poster-sized prints (59.4 x 84.1 cm/23.4 x
33.1 in.) at 200 dpi, or crop aggressively to reach the composition you
desire, all without sacrificing the detail and tonal range of the
original. In order to maintain clean, high-resolution images, 14-bit A/D
conversion within the sensor and a high signal-to-noise ratio deliver
phenomenal images in a diverse array of situations. The image sensor's
incredible potential does not stop with photography, either. For
cinematographers ready to put their exceptionally sharp NIKKOR lenses
into action, the D800/D800E's 36.3 effective megapixel data is
efficiently processed for exquisite 1080p broadcast quality video at
30p.
- *As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size.
Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent
High-resolution, studio-quality
images shouldn't be restricted to the studio. The D800/D800E set a new
benchmark for high-resolution D-SLR cameras, with crisp clean images
across a wide ISO range. Flexibility like this opens up new imaging
opportunities for both still photographers and cinematographers alike
during the "magic hour", the time just before dawn or at dusk when
available light is often beautiful but scarce. Even at high ISO
settings, the camera's intelligent noise reduction systems manage noise
without sacrificing fine details, giving the D800/D800E the edge. The
difference can even be seen in low-contrast subjects such as hair and
grass textures, which are often essential elements of cinema as well as
high-resolution portraits and landscape images. High image quality at
higher ISOs also means that you can shoot still images handheld more
confidently, knowing that fast shutter speeds will reduce blur.
- ISO 100
- ISO 200
- ISO 400
- ISO 800
- ISO 1600
- ISO 3200
- ISO 6400
A strategic approach to turn light to your advantage
Combining both high-resolution
performance and a wide ISO sensitivity range has finally become a
reality. Nikon engineers have developed intelligent new methods to
manipulate light transmission to the sensor's photodiodes: from the
optical low-pass filter and on-chip gapless micro lenses to the image
sensor's internal design, every measure has been taken to maximize and
improve light transmission in order to deliver crisp, brilliant images
with significantly less noise. All this is possible under a wide variety
of lighting conditions, enabling you to get the most out of your NIKKOR
lenses.
Optical low-pass filter optimized for sharpness on the D800
Reducing false color and moiré is
the main job of the optical low-pass filter located in front of the
image sensor. However, this benefit is generally gained with a small
sacrifice of sharpness. Moiré occurs in scenes containing repetitive
details, such as strong vertical lines in architecture. Finding the
right balance between benefits and sacrifices is the key to higher image
quality, and that is what the D800's optical low-pass filter delivers.
As a result, the astounding 36.3 megapixels unleash their potential
through an optimized balance between sharpness and effectively prevented
moiré and false color. Furthermore, the multi-layer structure of the
D800 low-pass filter utilizes layers of antireflective coating that have
been optimized for the camera, contributing to sharper and clearer
images.
The ultimate attention to detail — the D800E
- D800E
Nikon engineers have developed a
unique alternative for those seeking the ultimate in definition. The
D800E incorporates an optical filter with all the anti-aliasing
properties removed in order to facilitate the sharpest images possible.
This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moiré. Aside from the optical filter, all functions and features are the same as on the D800.
This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moiré. Aside from the optical filter, all functions and features are the same as on the D800.
Note: The D800E carries an increased possibility
that moiré and false color will appear, compared to the D800. IR cut and
antireflective coating properties of the optical filter remain the same
with both versions.
-Comparison of resolution: D800/D800E have the same resolution of 36.3 megapixels
The D800E reproduces the texture
of the stone pavement and twigs with higher resolution than the D800. It
allows sharper rendering with depth.
- Enlarge
-Comparison of false color and moiré
With the D800E, moiré and false
color may be noticeable when there are repetitive and fine patterns on a
subject such as kimono fabric. To avoid this, it is necessary to take
measures, for example, changing the focusing point or shooting distance.
- Enlarge
Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function
Any dust that reaches the image
sensor results in unattractive spots on your images. To prevent this,
the D800/D800E employ Nikon's Integrated Dust Reduction System, which
includes a self-cleaning sensor unit with four different resonance
frequencies to vibrate the optical low-pass filter and shake dust away
from the sensor. This function can be set to operate automatically when
the camera is turned on or off, or to manual.
EXPEED 3 image-processing engine: speed, versatility, and high performance
High-megapixel still images are
detail-rich but data-heavy. With the D800/D800E, however, you don't have
to sacrifice speed for this privilege. Dedicated to understanding speed
and its role in image making, Nikon engineers designed a powerful
EXPEED 3 image-processing engine exclusively for digital SLRs. From
image processing and card recording to image playback and image
transfer, EXPEED 3 manages massive amounts of data at faster speeds than
EXPEED 2. Even with specialized processing features like Active
D-Lighting and high ISO noise reduction, capture speed is not affected.
EXPEED 3 is so powerful that it handles data-intensive tasks such as
Full HD video recording at 30p with ease. You'll also notice the
difference in your still images and videos through minimized noise and
even richer colors and tones. In addition to these fundamental
advantages, the D800/D800E reduce the kind of color phase shift that
some cameras have difficulty with in similar situations.
14-bit A/D conversion and 16-bit image processing for rich tones and natural colors
Tonal gradation is where an image
transforms from simply representing life to taking on a life of its
own. The D800/D800E do exactly that, with cutting-edge image processing
that injects vital energy into your images. Black is rendered as pitch
black, and shadow details are subtle and rich. Even under harsh,
high-contrast light, where some cameras can fail, the D800/D800E's
gradation remains smooth with abundant detail and tone all the way up
the scale to pure white.
Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection
High-megapixel sensors can really
test the quality of your lenses, but you can be confident that the
combination of brilliant NIKKOR lenses and Nikon's intelligent
processing measures will significantly reduce lateral chromatic
aberration to give you incredibly natural-looking results. Unlike other
correction methods that simply eliminate chromatic aberration, Nikon's
method compensates for these color differences in a resolving index for
each color, making it particularly effective in producing images with
stunning edge-to-edge sharpness. Moreover, because these corrections are
made regardless of the NIKKOR lens used, this feature contributes
substantially to achieving the sharpest images possible.
Advanced Scene Recognition System with 91K-pixel RGB sensor
Nikon's revolutionary Advanced
Scene Recognition System, introduced with the flagship D4 camera, is
also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor
that meticulously analyzes each scene with the fine resolution. The RGB
sensor can recognize your scene's colors and brightness with
unprecedented precision, then use that information to implement various
automatic controls and give you more natural-looking results. The real
breakthrough, however, is that the sensor can detect human faces with
startling accuracy when shooting through the optical viewfinder. Along
with face detection, detailed scene analysis is utilized to support more
accurate autofocus, auto exposure and i-TTL flash exposure results in a
diverse range of compositional and lighting situations. The improved
subject tracking is most noticeable when using 3D-tracking, which can
maintain a focus on moving subjects smaller in size than with previous
generations.
More accurate face detection in auto-area AF and subject tracking in 3D-tracking
Auto-area AF and 3D-tracking are
AF-area modes unique to Nikon that use your subject's color and
brightness information to detect focus. With the D800/D800E and their
more precise information and subject recognition advancements, expect
big steps forward for both AF-area modes when taking high-quality still
images. In auto-area AF, the camera can genuinely detect human faces and
focuses on them immediately — useful when faces are a priority and
there's no time to choose focus points. When using 3D-tracking, the
sensor's fine resolution combines with a specifically optimized AF
algorithm to realize unprecedented subject tracking precision,
recognizing detailed patterns to keep your subject in sharp focus.
3D color matrix metering III for more accurate exposures
- 3D color matrix metering III
Professional photographers who
shoot still images know that Nikon's metering system delivers supremely
well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the
D800/D800E have far more detailed scene information at its disposal —
including detected face information. This data helps the 3D color matrix
metering III deliver more desirable auto exposures, especially when
there are human faces present. When the D800/D800E detect a human face
in a backlit situation, the camera determines the overall exposure while
prioritizing the facial exposure, which might otherwise be
underexposed. When a face is lit from the front and appears much
brighter than the background, the camera recognizes the situation and
avoids blowing out the facial details.
More balanced results in i-TTL balanced fill-flash and Active D-Lighting
- i-TTL balanced fill-flash
Nikon's i-TTL system has long
been considered the most accurate flash control system in photography,
but now face detection and highlight analysis by the 91K-pixel RGB
sensor pushes performance even further. With the D800/D800E's enhanced
i-TTL balanced fill-flash, you can more precisely illuminate people's
faces in relation to their surrounding brightness using either the
built-in flash or an external hot-shoed Nikon Speedlight. For weddings
and fashion shoots, or any photography that relies on the
highest-quality still images, this new standard redefines what a flash
system should be. Face detection also makes a difference when Active
D-Lighting is used to retain highlights and shadows in high-contrast
lighting situations. Faces will be optimally exposed both in the sun and
in the shade.
Light source identification for auto white balance in still images
The D800/D800E's auto white balance is incredibly
accurate in a diverse range of shooting situations, aided by unique
Nikon technology that effectively identifies your light sources, both
natural and artificial. With the 91K-pixel RGB sensor and the image
sensor working together, the camera renders white as white with supreme
accuracy. Or if you prefer, the auto white balance can be set to reflect
the warmth of ambient, incandescent lighting.
- Auto 1 (Normal)
- Auto 2 (Keep warm lighting colors)
Contribution to D-Movie shooting
The D800/D800E's Advanced Scene
Recognition System enhances not only still image shooting but also
various controls used in movie shooting. It identifies light sources and
human faces finely, utilizing the high resolution of the image sensor
to deliver accurate auto white balance and exposure control during movie
shooting, and improves the precision of subject-tracking AF.
Furthermore, it automatically detects flicker effects, and controls the
exposure to reduce them.
Direct access to Picture Control that enables quick setting
Customize the look of your stills
and videos through Picture Controls by fine-tuning parameters such as
sharpening, saturation, and hue. The D800/D800E now allow you to access
Picture Control instantly and directly from a dedicated button rather
than entering the menu. When live view shooting, you can visually
confirm how customized Picture Control settings will look and easily
adjust the parameters.
- More information
Tech Specs
| Type | Single-lens reflex digital camera |
| Lens mount | Nikon F mount (with AF coupling and AF contacts) |
| Effective pixels | 36.3 million |
| Image sensor | 35.9 x 24.0 mm CMOS sensor (Nikon FX format) |
| Total pixels | 36.8 million |
| Dust-reduction System | Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) |
| Image size (pixels) | FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.5x image area; an FX-based format is used for all other photographs. |
| File format | NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Picture Control System | Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls |
| Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant) |
| Dual card slots | Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. |
| File system | DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge |
| Viewfinder | Eye-level pentaprism single-lens reflex viewfinder |
| Frame coverage | FX (36 x 24): Approx. 100% horizontal and 100% vertical 1.2x (30 x 20): Approx. 97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx. 97% horizontal and 100% vertical |
| Magnification | Approx. 0.7 x (50 mm f/1.4 lens at infinity, -1.0 m-1) |
| Eyepoint | 17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Diopter adjustment | -3 -+1 m-1 |
| Focusing screen | Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid |
| Reflex mirror | Quick return |
| Depth-of-field preview | When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) |
| Lens aperture | Instant return, electronically controlled |
| Compatible lenses | Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster. |
| Type | Electronically-controlled vertical-travel focal-plane shutter |
| Speed | 1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 |
| Flash sync speed | X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) |
| Release mode | Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up |
| Approximate frame advance rate | With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps |
| Self-timer | 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s |
| Metering | TTL exposure metering using 91K (91,000)-pixel RGB sensor |
| Metering method | Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame. Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) |
| Range (ISO 100, f/1.4 lens, 20 °C/68 °F) | Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV |
| Exposure meter coupling | Combined CPU and AI |
| Exposure mode | Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) |
| Exposure compensation | -5 -+5 EV in increments of 1/3, 1/2, or 1 EV |
| Exposure bracketing | 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV |
| Flash bracketing | 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV |
| White balance bracketing | 2-9 frames in steps of 1, 2, or 3 |
| ADL bracketing | 2 frames using selected value for one frame or 3-5 frames using preset values for all frames |
| Exposure lock | Luminosity locked at detected value with AE-L/AF-L button |
| ISO sensitivity (Recommended Exposure Index) | ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from Auto, Extra high, High, Normal, Low, or Off |
| Autofocus | Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx. 0.5-3 m/1 ft 8 in.-9 ft 10 in.) |
| Detection range | -2 -+19 EV (ISO 100, 20 °C/68 °F) |
| Lens servo | Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used |
| Focus point | Can be selected from 51 or 11 focus points |
| AF-area mode | Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF |
| Focus lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button |
| Built-in flash | Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F) |
| Flash control | TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering |
| Flash mode | Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported |
| Flash compensation | -3 -+1 EV in increments of 1/3, 1/2, or 1 EV |
| Flash-ready indicator | Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output |
| Accessory shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units |
| Sync terminal | ISO 519 sync terminal with locking thread |
| White balance | Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning. |
| Modes | Live view photography (still images), movie live view (movies) |
| Lens servo | Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M) |
| AF-area mode | Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF |
| Autofocus | Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) |
| Metering | TTL exposure metering using main image sensor |
| Frame size (pixels) and frame rate | 1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support both high and normal image quality |
| File format | MOV |
| Video compression | H.264/MPEG-4 Advanced Video Coding |
| Audio recording format | Linear PCM |
| Audio recording device | Built-in monaural or external stereo microphone; sensitivity adjustable |
| Movie options | Index marking, time-lapse photography |
| Monitor | 8-cm/3.2-in., approx. 921k-dot (VGA) TFT LCD with 170 ° viewing angle, approx. 100% frame coverage, and automatic monitor brightness control using ambient brightness sensor |
| Playback | Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) |
| USB | SuperSpeed USB (USB 3.0 Micro-B connector) |
| HDMI output | Type C mini-pin HDMI connector; can be used simultaneously with camera monitor |
| Audio input | Stereo mini-pin jack (3.5mm diameter) |
| Audio output | Stereo mini-pin jack (3.5mm diameter) |
| Ten-pin remote terminal | Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) |
| Supported languages | Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian |
| Battery | One rechargeable Li-ion EN-EL15 battery |
| Battery pack | Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries. |
| AC adapter | EH-5b AC adapter; requires EP-5B power connector (available separately) |
| Tripod socket | 1/4 in. (ISO 1222) |
| Dimensions (W x H x D) | Approx. 146 x 123 x 81.5 mm (5.7 x 4.8 x 3.2 in.) |
| Weight | Approx. 1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx. 900 g/1 lb 15.7 oz (camera body only) |
| Temperature | 0-40 °C (+32-104 °F) |
| Humidity | Less than 85% (no condensation) |
| Supplied accessories | EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD |